|
Why is she naked? An Iterative Refinement of the Digitisation of ICH with the OvaHimba Tribe in Namibia |
2018 |
Rodil, Kasper, Winschiers-Theophilus, Heike |
International Journal of Intangible Heritage |
|
Why is she naked? An Iterative Refinement of the Digitisation of ICH with the OvaHimba Tribe in Namibia |
2018 |
Rodil, Kasper, Winschiers-Theophilus, Heike |
International Journal of Intangible Heritage |
|
Why and how museology represents moreska as intangible cultural heritage |
2015 |
Hajdic, Marija |
DANCE, NARRATIVES, HERITAGE: DANCE AND NARRATIVES - DANCE AS INTANGIBLE AND TANGIBLE CULTURAL HERITAGE |
|
Why and how museology represents moreska as intangible cultural heritage |
2015 |
Hajdic, Marija |
|
|
Why and how intangible cultural heritage should be safeguarded |
2013 |
Cominelli, F., Greffe, X. |
Handb. on the Economics of Cultural Herit. |
|
Why and how intangible cultural heritage should be safeguarded |
2013 |
Cominelli, F., Greffe, X. |
Handb. on the Economics of Cultural Herit. |
|
Whose intangible cultural heritage? Cowboy culture, heritage self-determination and the expression of a divided nation in the context of populist politics in Brazil |
2021 |
Toji, Simone |
International Journal of Heritage Studies |
|
Whose intangible cultural heritage? Cowboy culture, heritage self-determination and the expression of a divided nation in the context of populist politics in Brazil |
2021 |
Toji, Simone |
International Journal of Heritage Studies |
|
Whose disaster is it anyway?: Romancing world heritage in Uzbekistan |
2012 |
Alaya, F. |
Research in Social Problems and Public Policy |
|
Whose disaster is it anyway?: Romancing world heritage in Uzbekistan |
2012 |
Alaya, F. |
Research in Social Problems and Public Policy |
