01670nas a2200157   4500008004100000022002000041245009500061210006900156300001400225490000700239520103300246653003901279653003101318100001701349856014601366       2014                        eng d  a07425457 (ISSN)00aNo More Masterpieces: Tangible Impacts and Intangible Cultural Heritage in Bordered Worlds0 aNo More Masterpieces Tangible Impacts and Intangible Cultural He  a369–3980 v313 aUNESCO since the 1970s has debated the best way to support and preserve cultural heritage forms. Masterpieces of Oral and Intangible Cultural Heritage of Humanity were declared from 2001 until 2006, when the new Intangible Cultural Heritage convention replaced that program. Japan provided models and leadership for the masterpieces program. New thinking in museum practice, interest in finding ways to value performing arts as much as geographical or architectural monuments, and hopes for safeguarding and giving communities ownership of genres concerned were involved in the evolution from the masterpieces model to the Intangible Cultural Heritage model. The needs of Southeast Asian groups and their ownership of the process are queried.Kathy Foley is the current editor of Asian Theatre Journal and a professor of theatre arts at the University of California, Santa Cruz. The research support for this paper was assisted by the Yale Institute of Sacred Music and the UCSC Arts Research Institute and Committee on Research.10aInternational tensions (THE_65377)10aPerforming arts (ICH_1228)1 aFoley, Kathy  uhttps://www.scopus.com/inward/record.uri?eid=2-s2.0-84907898380&doi=10.1353%2fatj.2014.0031&partnerID=40&md5=20735b91b3753a757d65d3cc2e9ac093