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Audio Acoustics; Audio Recordings; Cultural Heritage; Cultural Heritages; Grateful Dead; Intangible Cultural Heritages; Live Music; Multimedia; Music Performance; Ontological Modeling; Semantic Web; Tangible Artefacts;
With the increasing importance attributed to intangible cultural heritage, of which music performance is an important part, public archive collections contain a growing proportion of audio and video material. Currently used models have only limited capabilities for their representation. This demo illustrates our proposal for a unified ontological model of live music recordings and associated tangible artefacts with a Web application for the exploration of live music events of the Grateful Dead.