This study has a degree and possibility of putting folk culture to practical use and its re-creation of value as a culture-based industrial resource, a investigation that involves in Jindo country’s present significance of folk culture in insular areas and its local festivals.It is in the folk culture handed down in Jindo that a universal culture and Jindo’s own special quality work together someway. Unfortunately, there has been such a special folk culture that is designated as an important intangible cultural heritage of nation, for example, KangKang-Sul-Lei (Korean circle dance), Namdo Deullorae (Field working song), Jindo Ssitgimgut, Jindo Dasiraegi and so forth, a culture in which it seems to be a meaning and valuein the mean time. Yet, given a new, cultural age now, we should to seek for the meaning and value in any various folk cultures transmitted to our lives.In today’s Jindo many festivals have been celebrated on both large and small scale such as the Mystic Sea Road Festival, Nonbaemi festival, Sopo black rice festival, Arirang festival, Sasang villeage The 1st January Great Dance and so on. Eventually, these festivals are all ones which can provide indigenous people as well as external tourists with their identity. It is a folk culture that can be available to take it for granted that the festivals are crucial factors, and it therefore represents the very festivals appropriately. In particular in addition to folk culture, to see the late newly generated festivals is comparable in a way to what we one’s experience of history and ecology. The diversification and internalization of these festivals make various resources of culture open to available.The resources become only culture-base industrial ones when the actual use of them provide the region and its indigenous people with economic worth through tourism. Thus, to generate again the value which is disappearing increasingly, two goals would be achieved into the heritage and re-creation of folk culture.