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Fascism; Marinetti; Mascagni; Pirandello; Soft Power; Theatre Infrastructures; Theatre Networks;
This article explores the role of theatre in the strategies of cultural diplomacy that developed in Italy between the last years of the liberal state (1919-22) and the rise of Benito Mussolini. It covers the period until 1927, when the establishment of the Istituti Italiani di Cultura (Italian Cultural Institutes) and the approval of a new regulatory framework for migration marked a new era for fascist soft-power ambitions.